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What wood is it and why? Seeing and understanding wood in a whole new way. Three days over the weekend, September 12-14, 2025 (Friday, Saturday 9:00am-4:00pm, Sunday 9:30-2:30) At the Mystic Seaport Museum, Mystic, CT Class fee includes a hardwood sample kit, 10x loupe, book (Identifying Wood) and Friday lunch. -
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What wood is it and why? Seeing and understanding wood in a whole new way. Three days over the weekend, February 7-9, 2025 (Friday, Saturday 9.00am-4.00pm, Sunday 11:00 – 4:00) At Historic Deerfield, Mass. Class fee includes a hardwood sample kit, 10x loupe, book (Identifying Wood) and Friday lunch.“The fact that one can venture forth from Randy's class of only three days with a confident and readily-applicable scaffolding for understanding not only wood anatomy, growth patterns, and available wood technologies, but how each of those knowledge bases informs construction techniques, restoration/conservation practices, and diverse material histories, is testament to the strength of this course and Randy's singular skill in condensing a veritable wealth of information into an engaging, accessible, and concentrated capsule that unfolds in dialogue with its many possible real-world applications. As he himself aptly said at the end of the class, it's a bit like seeing the stars through a telescope for the first time and encountering a whole new field of engagement and possibility...” -
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What wood is it and why? Seeing and understanding wood in a whole new way. Three days over the weekend, September 13-15, 2024 (Friday, Saturday 9.00am-4.00pm, Sunday 11:00 – 4:00) At the Mystic Seaport Museum, Mystic, CT Class fee includes a hardwood sample kit, 10x loupe, book (Identifying Wood) and Friday lunch.
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November 2, 2024 @ 9:30 am - November 3, 2024 @ 5:00 pm, CT Valley School of Woodworking, Manchester, CT
$610
Designed for furniture makers, restorers, collectors, homeowners, and dealers alike, this exciting two day hands on class will focus on the restoration and conservation of gilded surfaces including frames, furniture, and architectural elements. We will review the basics of traditional water gilding and oil gilding techniques. Emphasis will be placed on identifying different types of gilding, including toned silver leaf gilding. Tools and materials will be reviewed. Replacement of missing ornamental elements through molding and casting techniques will be demonstrated. The visual integration of losses will be discussed as well as appropriate materials and techniques for toning and application of patina. Participants will be working with genuine gold leaf on a small picture frame to learn the basic techniques but you are welcome to bring a small gilded object along with you also. The materials fee includes a basic kit (including genuine gold leaf) from Sepp Leaf in Manhattan. Please register here:
